HOME ARTISTSNEWSEXHIBITIONSCONTACT | STAFFABOUT 
Material Gestures:Cut, Weave, Sew, Knot
11/7/2014 - 12/23/2014





Opening Reception: November 7, 5:00 pm - 7:30 pm


ALIGHIERO BOETTI, SUSAN HEFUNA, SHEILA HICKS, HEATHER MACKENZIE, KAREN REIMER, KIKI SMITH, RICHARD TUTTLE, ANNE WILSON, CLAIRE ZEISLER

Rhona Hoffman Gallery has a long history of supporting fiber-based artists, from showing Richard Tuttle and pivotal fiber artist Claire Zeisler in the 1970s, to currently holding exhibitions by Susan Hefuna and Anne Wilson. Material Gestures continues this on-going interest with a diverse group of artists who embrace, subvert, and rework the ancient mediums of fiber and textiles within contemporary art practice.

A pioneer of fiber art in the 1960s and 70s, Sheila Hicks presents Dervish, a work made by weaving and twisting a special stainless steel fiber that the artist developed with Bridgestone Tire Corporation. Included alongside Hicks in the major traveling exhibition FIBER: Sculpture 1960-present, gallery artist Anne Wilson is represented with Mourning Cloth and Dispersions, works that ascend the materiality of fiber and relate to the body, loss, and memory. Interdisciplinary German-Egyptian artist Susan Hefuna creates textile works that layer felt, gauze, and text appliqué, evoking her broader investigation of the nature of veiled visibility. Feminist ideas and corporeality connect the work of Hefuna and Wilson with interdisciplinary artist Kiki Smith, whose paper and string piece in Material Gestures thwarts the viewer’s expectation of textiles.

A long-time collector of textiles known for his poetic artworks that elevate humble materials, Richard Tuttle is represented with a piece from his 2004 exhibition Indonesian Textiles. Also engaged with global textiles, Italian artist Alighiero Boetti created some of his best-known works in cooperation with Afghan textile weavers. Two artists are shown at Rhona Hoffman Gallery for the first time: Chicago-based Karen Reimer presents a union of conceptual and craft with her sculptural textile Endless Set #1399 and an embroidered pillowcase diptych from her The Domestic Partnership of Heaven and Hell series; Heather MacKenzie, a recent SAIC graduate who received a Fulbright-Hays Scholarship to study in France, offers a glimpse into the latest fiber-based interrogations with her large woven textile Deep-Sea Oil Prospects: Northern Gulf of Mexico.
RECENT:
The Armory Show
Mr. President... Mr. President...
Signs and Systems
Art Basel Miami Beach 2018: Booth F27
The Invisible Enemy Should Not Exist (Room Z, Northwest Palace of Nimrud)

ARCHIVE

UPCOMING:
no future exhibits currently scheduled


© 2020 Rhona Hoffman Gallery