Material Gestures:Cut, Weave, Sew, Knot
11/7/2014 - 12/23/2014

Opening Reception: November 7, 5:00 pm - 7:30 pm


Rhona Hoffman Gallery has a long history of supporting fiber-based artists, from showing Richard Tuttle and pivotal fiber artist Claire Zeisler in the 1970s, to currently holding exhibitions by Susan Hefuna and Anne Wilson. Material Gestures continues this on-going interest with a diverse group of artists who embrace, subvert, and rework the ancient mediums of fiber and textiles within contemporary art practice.

A pioneer of fiber art in the 1960s and 70s, Sheila Hicks presents Dervish, a work made by weaving and twisting a special stainless steel fiber that the artist developed with Bridgestone Tire Corporation. Included alongside Hicks in the major traveling exhibition FIBER: Sculpture 1960-present, gallery artist Anne Wilson is represented with Mourning Cloth and Dispersions, works that ascend the materiality of fiber and relate to the body, loss, and memory. Interdisciplinary German-Egyptian artist Susan Hefuna creates textile works that layer felt, gauze, and text appliqué, evoking her broader investigation of the nature of veiled visibility. Feminist ideas and corporeality connect the work of Hefuna and Wilson with interdisciplinary artist Kiki Smith, whose paper and string piece in Material Gestures thwarts the viewer’s expectation of textiles.

A long-time collector of textiles known for his poetic artworks that elevate humble materials, Richard Tuttle is represented with a piece from his 2004 exhibition Indonesian Textiles. Also engaged with global textiles, Italian artist Alighiero Boetti created some of his best-known works in cooperation with Afghan textile weavers. Two artists are shown at Rhona Hoffman Gallery for the first time: Chicago-based Karen Reimer presents a union of conceptual and craft with her sculptural textile Endless Set #1399 and an embroidered pillowcase diptych from her The Domestic Partnership of Heaven and Hell series; Heather MacKenzie, a recent SAIC graduate who received a Fulbright-Hays Scholarship to study in France, offers a glimpse into the latest fiber-based interrogations with her large woven textile Deep-Sea Oil Prospects: Northern Gulf of Mexico.
Kutlug Ataman
Stefan’s Room
11/7/2014 - 12/23/2014

Opening Reception: November 7, 5:00 pm - 7:30 pm

Rhona Hoffman Gallery is pleased to present Kutluğ Ataman’s 2004 video installation, Stefan’s Room. Comprised of five screens arranged in an irregular circle surrounding the viewer the installation seems to echo the flight or dance of butterflies and moths. On the fifth and narrative screen, Stefan Naumann explains in lengthy detail his passion and lifetime obsession with tropical moths.

The multifaceted and colorful structure of the installation brilliantly portrays Stefan’s psyche and transformation. Over the length of the video most viewers will become completely immersed and mesmerized by Stefan’s physically beautiful world. The artist sees this playful but somewhat eerie installation as a metaphor for the complexity of obsession and creates a situation whereby viewers will understand that obsession is also an imprisonment.

Kutluğ Ataman (b. 1961, Istanbul, Turkey) established his career as a filmmaker in the late 1980s and has gone on to make several feature-length films, including Lola+Bilidikid (1998), 2 Girls (2005), and Lamb (2014). Ataman’s works are included in the collections of the Museum of Modern Art, New York; Tate, London; Thyssen-Bornemisza Art Contemporary, Vienna; the Dimitris Daskalopoulos Collection, Athens and the Carnegie Museum, Pittsburgh and others.
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